BELMONT MUSIC PUBLISHERS - The Works of Arnold Schoenberg

Current activities including news, concerts, festivals, symposia, workshops, new publications that are related to the life and work of Arnold Schoenberg.  Please do not hesitate to contact us should you wish to include an entry on this page.

 

BELMONT HAS PRODUCED A NEW WEBSITE

 EXPLORING ARNOLD SCHOENBERG

 
 WE HOPE THAT YOU WILL PERUSE IT.
 
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Welcome to the Belmont website. We publish and distribute most of the works of Arnold Schoenberg and we are happy to assist you in obtaining information on any of his works, even if they are available from another publisher. You may use our search engine to quickly find information regarding any work. You can also go directly to our catalog. This home page includes embedded links to Schoenberg performances through InstantEncore.com, related YouTube videos plus current news.

JungWien

 

Bel 1092    

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NOW AVAILABLE - FRIEDE AUF ERDEN FACSIMILE 

The facsimile edition – prepared 110 years after the work was composed – unites two autograph music manuscripts of the choral work that displays “the most artful polyphony, most wonderful tonal effect, and sublimest expression” (Anton Webern).

Peace on Earth, op. 13 by Arnold Schönberg is part of the traditional choral music repertoire. The text of this a-cappella chorus, composed in 1907 for a competition organized by the Steiermärkischer Musikverein, was taken from a Christmas poem written by Conrad Ferdinand Meyer.

The poem begins with the promising message of peace from the Christian Christmas story, and then depicts the history of the world after Christ’s birth as a time of war in which the belief in justice and peace had been retained, however; a peace that promises to become reality for future generations.

Arnold Schönberg: Peace on Earth, op. 13
Facsimile
Edited by Therese Muxeneder (Arnold Schönberg Center, Wien)
Soft cover, 27,2 x 35,5 cm, 52 pages, 22 tables, Text (german/english)
Vienna 2017 | ISBN 978-3-902012-20-3 | Bel 1013F $46.00

 

 

ARNOLD SCHOENBERG PLAYING CARDS.  THERE ARE TWO DIFFERENT SETS ($20 EACH DECK). THEY ARE MEANT TO BE USED FOR PLAYING.

 


Current Performance Listings


Please feel free to contact us regarding any information that you might wish to include on this site or to suggest items that you feel should be included. We welcome any comments.

 

 

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DescriptionCat #Price

ue34806

Pierrot Lunaire, Op. 21 study score based on Critical Edition

UE 34806 $46.00

ue33794

Pierrot Lunaire, Op. 21 vocal score based on Critical Edtion

UE 33794 $60.00

ue31586

Orchestral Studies for Oboe/English Horn edited by Christian Schneider

UE - 31586

$40.00

bel1059

Mahler/Schoenberg: Lieder eines fahrenden Gesellen score

Bel-1059 $45.00

paintcat

Arnold Schönberg: Catalogue raisonné Paperback-Edition
For Hardback Edition contact the Arnold Schoenberg Center at office@schoenberg.at

ISBN 3-902012-07-2 $100.00

bel1070

PORTFOLIO - Selection of 30 color reproductions of paintings and drawings. Paper 13.5 x 17 cm

ISBN 3-902012-08-0

Bel-1070
$11.00

bel1069

Presto score and parts

Bel-1069 $30.00
Variations Op. 31 for piano Bel-1071 $30.00

bel1072

Strauss: Lagunenwalzer score and parts

Bel-1072P $150.00
Strauss: Lagunenwalzer score Bel-1072S $20.00
Reger: Romantische Suite parts Contact Belmont

ue32981

Das Lied von der Erde score

UE-32981 $120.00

bel1066

Fundamentals of Musical Composition Book

Bel-1066 $20.00

bel1067

Preliminary Exercises in Counterpoint Book

Bel-1067 $20.00

ue31838

Noturno for Harp and Strings score

UE-31838 $15.00
Noturno for Harp and Strings parts Contact Belmont

bel1058

Piece for Violin and Piano score

Bel-1058 $10.00

bel1062

Gerpa: Composition for Special Occasions score and parts

Bel-1062 $20.00

bel1061

Lullaby for male and female voices and piano

Bel-1061 $6.00
Lullaby for male and female voices and strings (5) arranged by Jan Maegaard score and parts Bel-1061s $25.00

bel1063

Ten Early Waltzes for Strings score

Bel-1063 $20.00
Ten Early Waltzes for Strings parts Contact Belmont

bel1065p

Chamber Symphony for 15 Instruments parts

Bel-1065 $95.00

rb4354

Verklaerte Nacht Op. 4 (Piano Trio arrangement Steuermann) score and parts

Bel-1077 $40.00

The Journal of the Arnold Schoenberg Institute was published from October 1976 to June 1997. The Journal ceased publication following Volume XIX (June & November 1996). Most back issues of the JASI are available from either Belmont Music or the Arnold Schoenberg Center.  CONTACT BELMONT FOR AVAILABILITY AND PRICE. 

The current Journal of the Arnold Schoenberg Center is available directly from the Arnold Schoenberg Center. You may also obtain additional information on subscriptions for the new journal by viewing the Center web page at http://www.schoenberg.at

Volume I, No. 1 (October 1976)VOLUME I Numbers 1-3 are sold as a set 

Leonard Stein: "The Journal and the Institute"
Milton Babbitt: "Celebrative Speech"
H. H. Stuckenschmidt: "Notes from a Long Association and a New Biography"
Alexander L. Ringer: "Arnold Schoenberg and the Prophetic Image in Music"
Paul A. Pisk: "Memories of Schoenberg"
Bibliography: Marsha Berman and Betty O'Rourke "A Selected List of Periodical Articles on Arnold Schoenberg, 1974 - June 1976"
From the Archives: Clara Steuermann: "Procedures, Materials, and Acknowledgments"

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Volume I, No. 2 (February 1977)VOLUME I Numbers 1-3 are sold as a set 

Leonard Stein: "The Opening of the Institute"
Richard Hoffmann: "Schoenberg est vivant"
Jan Maegaard: "Schoenberg's Manuscripts: What Do They Tell Us?"
Ena Steiner: "Mödling Revisited"
Ernst Krenek: "Schoenberg the Centenarian"
Arnold Schoenberg: "Neue Musik / Meine Musik"
Bibliography: Marsha Berman "Books and Dissertations, 1974-76"
From the Archives: Clara Steuermann: "Moving Day and Beyond..."

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Volume I, No. 3 (June 1977)VOLUME I Numbers 1-3 are sold as a set 

Leonard Stein: "From the Director's Desk"
Pierre Boulez: "Through Schoenberg to the Future"
Dika Newlin: "Notes for a Schoenberg Biography: From My Los Angeles Diary, 1939"
Jonathan M. Dunsby: "Schoenberg's Premonition, Op. 22, No. 4, in Retrospect"
From the Archives: Clara Steuermann: "Satellites"
Jonathan M. Dunsby: "The Stiedry Collection"
Leonard Stein: "The Gurrelieder Fanfare Manuscript"
Bibliography: Marsha Berman "Articles in Periodicals and Collections of Essays"
Discography: David Cloud: "Schoenberg Recordings: An Update" Correspondence

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Volume II, No. 1 (October 1977)OUT OF STOCK IN THE UNITED STATES

Elaine Barkin: Foreword
Alexander Goehr: "Schoenberg's Gedanke Manuscript"
Jonathan M. Dunsby: "Schoenberg and the Writings of Schenker"
Will Ogdon: "Unpublished Treatise of René Leibowitz"
Reinhold Brinkmann: "On Pierrot's Trail"
Edward Steuermann: "Pierrot Lunaire in Retrospect"
Leonard Stein: "A Note on the Genesis of the Ode to Napoleon"
Arnold Schoenberg: "How I Came to Compose the Ode to Napoleon"
From the Archives: Clara Steuermann: "Satellites II"
Jonathan M. Dunsby: "The Steuermann Collection"
Leonard Stein: "Toward a Chronology of Schoenberg's Early Unpublished Songs"

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Volume II, No. 2 (February 1978) 

Leonard Stein: Foreword: "Evaluations and Expectations"
Louis Krasner: "A Performance History of Schoenberg's Violin Concerto Op. 36"
Arnold Schoenberg: "Der kleine Muck: The Concertgebouw Revisited" (Introduction by Leonard Stein)
Marcel Dick with Anne Trenkamp: "Reminiscences of Schoenberg as Conductor"
Jean Christensen: "Schoenberg's Sketches for Die Jakobsleiter: A Study of a Special Case"
Fred Steiner: "A History of the First Complete Recording of the Schoenberg String Quartets"
Nicholas Slonimsky: "Schoenberg in the Soviet Mirror"
From the Archives: Clara Steuermann: "Diaries"
Contributors

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Volume II, No. 3 (June 1978): Schoenberg as Artist 

Ellen Kravitz: Foreword: "Schoenberg as Artist"
Eberhard Freitag: "German Expressionism and Schoenberg's Self-Portraits"
Georg Eisler: "Observations on Schoenberg as Painter"
Halsey Stevens: "A Conversation with Schoenberg about Painting"
Wassily Kandinsky: "The Paintings of Schoenberg"
Lawrence Schoenberg and Ellen Kravitz: "Catalog of Schoenberg's Paintings, Drawings and Sketches"
Arnold Schoenberg: "Malerische Einflüsse"
From the Archives: Clara Steuermann: "Schoenberg at Play" Bibliography
Anne Wirth: "Selected References on Arnold Schoenberg's Art and Aesthetics"
Announcement

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Volume III, No. 1 (March 1979) 

Leonard Stein: Foreword: "Schoenberg's Jewish Identity (A Chronology of Source Material)"
Alexander Ringer: "Arnold Schoenberg and the Politics of Jewish Survival"
Arnold Schoenberg: "A Four-Point Program for Jewry"
Charles Heller: "Traditional Jewish Material from Schoenberg's A Survivor from Warsaw, Op. 46"
Donald Harris: "Ravel Visits the Verein"
Reports
Jan Maegaard: "Orchestrating Schoenberg's Organ Variations"
Bryan R. Simms: "A Report from the Joint Meeting of the AMS/SMT" Bibliography: Mark Tauger "Current Bibliography (1976-1978)"
From the Archives: Clara Steuermann "Recorded Sound on Discs" Correspondence
Chronicle: Events at the Institute, 1978-79
Contributors

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Volume III, No. 2 (October 1979) 

Leonard Stein: Foreword
Bryan R. Simms: "The Society for Private Musical Performances: Resources and Documents in Schoenberg's Legacy"
Max Bloch: "Viktor Ullmann: A Brief Biography and Appreciation"
Reviews Claudio Spies: Theory of Harmony by Arnold Schoenberg
Clara Steuermann: The Arnold Schoenberg-Hans Nachod Collection, edited by John A. Kimmey, Jr.
Lawrence Morton: Anton von Webern: A Chronicle of His Life and Work by Hans Moldenhauer and Rosaleen Moldenhauer
Jonathan M. Dunsby: Beyond Orpheus: Studies in Musical Structure by David Epstein
From the Archives: Clara Steuermann "Schoenberg's Library Catalogue" Reports
Leonard Stein: "Stokowski and the Gurrelieder Fanfare: Further Correspondence: Maurice Zam: "How Schoenberg Came to UCLA" Chronicle: Events at the Institute, 1979-80
Contributors

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Volume IV, No. 1 (June 1980) 

In Memory of Rudolf Kolisch (1896-1978)
Clara Steuermann: "Biography"
Michael Steinberg: "Encomium"
Rudolf Kolisch: "Schoenberg's Sendung"
Arnold Schoenberg: "About Rudolf Kolisch"
Schoenberg and the English: A Symposium
Arnold Whitall: "Schoenberg and the English: Notes for a Documentary" Michael Musgrave: "Schoenberg and Theory"
Jonathan Dunsby: "Schoenberg on Cadence"
Christopher W. Wintle: "Schoenberg's Harmony: Theory and Practice" Opera and Theater
John C. Crawford: " Die Glückliche Hand: Further Notes"
Alexander L. Ringer: "Schoenberg, Weill, and Epic Theater"
From the Archives: Clara Steuermann "Additions and Amplifications" Jerry McBride: "Teaching Materials in the Arnold Schoenberg Institute Archives"
Correspondence
Contributors
Correction
Announcement: Fifth International Arnold Schönberg Piano Competition

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Volume IV, No. 2 (November 1980) 

Schoenberg and the Critics
Leonard Stein: Foreword
Walter B. Bailey: "Composer Versus Critic: The Schoenberg-Schmidt Polemic"
Complete Edition: Christian Martin Schmidt "Neuentdeckte Skizzen zur Sonate für Orgel von Arnold Schönberg" / "Additional Sketches for Schoenberg's Organ Sonata"
From the Archives: Clara Steuermann "Visits Abroad"
Walter B. Bailey: "Schoenberg's Published Articles: A List of Titles, Sources and Translations"
Review : Pauline Alderman Schoenberg Remembered: Diaries and Recollections by Dika Newlin
Reports
Joe Saltzman: "Schoenberg in Santa Fe", "Schoenberg at La Scala, in Freiburg and Den Haag"
Chronicle
Concerts at the Institute, 1980-81
Contributors

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Volume V, No. 1 (June 1981) 

Hans Keller: "Schoenberg's Return to Tonality"
Charlotte E. Erwin and Bryan R. Simms: "Schoenberg's Correspondence with Heinrich Schenker"
Schoenberg's Playing Cards
Clara Steuermann: Introduction
Nuria Schoenberg Nono: "The Role of Extra-Musical Pursuits in Arnold Schoenberg's Creative Life"
Arnold Schoenberg: "Napoleon Patience"
From the Archives: Clara Steuermann: "The Photograph Collection", "Addenda to the Catalog of Schoenberg's Paintings, Drawings and Sketches", "Musikgraphische Werke: Visual Impressions by Joachim-Carl Friedrich of Compositions by Arnold Schoenberg"
Jerry McBride: "Recorded Sound on Tape"
Chronicle
Concerts at the Institute, 1981-82
Schoenberg Events
Index to Volumes I-IV (1976-1980)
Contributors

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Volume V, No. 2 (November 1981) 

Leonard Stein: Foreword: "Tonal or Atonal?"
Opus 11, Number 1: Two Points of View
Allen Forte: "The Magical Kaleidoscope: Schoenberg's First Atonal Masterwork, Opus 11, No. 1"
Will Ogdon: "How Tonality Functions in Schoenberg's Opus 11, No. 1" From the Archives: Jerry McBride: "Schoenberg's Annotated Handexemplare"
Reminiscences: Pauline Alderman "Arnold Schoenberg at USC"
Alan Wells: "Schoenberg's Class at USC"
Bibliography
Diane Penney: "Current Bibliography (1978 - June 1981)"
Contributors

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Volume VI, No. 1 (June 1982) 

Berthold Türcke: "Felix Greissle (1894-1982)"
Pamela C. White: "The Genesis of Moses und Aron"
Walter B. Bailey: "Oscar Levant and the Program for Schoenberg's Piano Concerto"
Alexander L. Ringer: "Faith and Symbol--On Arnold Schoenberg's Last Musical Utterance"
Christoph von Blumröder: "Schoenberg and the Concept of the ‘New Music'"
Robert Falck: "Emancipation of the Dissonance"
From the Archives
Jerry McBride: "The Photograph Collection"
Discography
Gordon Theil: "Recent Recordings of Schoenberg's Music"
Chronicle:
Concerts at the Institute, 1982-1983
"Max Bloch (1908-1982)"
Contributors

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Volume VI, No. 2 (November 1982): Schoenberg in the Netherlands 

Leonard Stein: Foreword
Paul Op de Coul and Rutger Schoute: "Schoenberg in the Netherlands" Gene Carl: "The Willem Mengelberg Archives in The Hague"
Berthold Türcke: "The Schoenberg-Mengelberg Correspondence" Matthijs Vermeulen: "Looking Back on Schoenberg"
Piet Schilham: "The Hague Philharmonic: An Advocate of Schoenberg" Henk Guittart: "The Emergence and Development of the Schoenberg Ensemble"
Jan van Vlijmen: "Why a Statue of Schoenberg?"
Contributors
"Max Deutsch: Teacher/Composer"

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Volume VII, No. 1 (June 1983) 

Leonard Stein: Foreword
Daniel M. Raessler: "Schoenberg and Busoni: Aspects of Their Relationship"
Berthold Türcke: "The Mahler Society: A Project of Schoenberg and Mengelberg"
Michael Eckert: "Luigi Dallapiccola on Arnold Schoenberg"
Jo-Ann Reif: "Adrian Leverkühn, Arnold Schoenberg, Theodor Adorno: Theorists Real and Fictitious in Thomas Mann's Doctor Faustus"
From the Archives

Jerry McBride: "Orchestral Transcriptions for the Society for Private Musical Performances"
Chronicle
Concerts at the Institute, Fall 1983
Contributors

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Volume VII, No. 2 (November 1983) 

Leonard Stein: Foreword: Report on the NEH Summer Session, Schoenberg Research Award
Paul S. Hesselink: "Variations on a Recitative for Organ, Op. 40: Correspondence from the Schoenberg Legacy"
Bonny Hough: "Schoenberg's Herzgewächse and the Blaue Reiter Almanac"
William G. Harbinson: "Rhythmic Structure in Schoenberg's ‘Jane Grey'" From the Archives: Jerry McBride "Further Schoenberg Correspondence" Berthold Türcke: "Gurrelieder and Orchestra Pieces, Op. 16 for Two Pianos: A Rediscovery of Reductions by Schoenberg/Webern and Erwin Stein"
Leonard Stein: "Gerald Strang (1908-1983)", "Pauline Alderman (1893-1983)"
Chronicle: Concerts at the Institute, Spring 1984
Contributors

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Volume VIII, No. 1 (June 1984) 

Leonard Stein: Foreword: "Schoenberg's Pupils"
Rosemary Hilmar: "Alban Berg's Studies with Schoenberg"
From the Archives: Jerry McBride: "Dem Lehrer Arnold Schoenberg" Pamela C. White: "Schoenberg and Schopenhauer"
Richard Hoffmann, Leonard Stein: "Reminiscences: A Schoenberg Centennial Symposium at Oberlin College"
Review
Ethan Haimo: Brahms and the Principle of Developing Variation by Walter Frisch
David Hush: "Supplement: Modes of Continuity in Schoenberg's Begleitungsmusik, Op. 34"
Chronicle: Concerts at the Institute 1984-85
Contributors

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Volume VIII, No. 2 (November 1984) 

Susan Youens: "Excavating an Allegory: The Texts of Pierrot Lunaire"
Jan Gilbert: "Schoenberg's Harmonic Visions: A Study of Text Painting in ‘Die Kreuze'"
Harald Krebs: "Three Versions of Schoenberg's Op. 15 No. 14: Obvious Differences and Hidden Similarities"
Ethan Haimo: "Editing Schoenberg's Twelve-Tone Music"
Judith Meibach: "The Society for Musical Private Performances: Antecedents and Foundation"
Contributors

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Volume IX, No. 1 (June 1986):
Schönberg Tagebücher / Schoenberg's Diaries, 1912, 1914, 1923 

Jerry McBride: Foreword
Anita Luginbühl: "Attempt at a Diary by Arnold Schoenberg"
Paul A Pisk: "War-Clouds Diary by Arnold Schoenberg"
Jerry McBride and Anita Luginbühl: "1923 Diary by Arnold Schoenberg" Bibliography: Joan D. Kunselman "Current Bibliography (July, 1981-1984)"
Discography: Gordon Theil "Recent Recordings of Schoenberg's Music" Journal of the Arnold Schoenberg Institute, Series I, Index to Volumes I-VIII (1976-1984)
Chronicle: Concerts at the Institute 1985-86
Contributors

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Volume IX, No. 2 (November 1986) 

Walter Frisch: "Schoenberg and the Poetry of Richard Dehmel"
Thomas McGeary: "The Publishing History of Style and Idea"
Michael Cherlin: "Schoenberg's Representation of the Divine in Moses und Aron"
David Schiff : "Jewish and Musical Tradition in the Music of Mahler and Schoenberg"
Martina Sichardt: "In Search of a Lost Manuscript"
E. Randol Schoenberg: "Alban Berg-Arnold Schoenberg Exhibit at the Arnold Schoenberg Institute, August-December 1985, in Honor of the Alban Berg Centennial"
Contributors

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Volume X, No. 1 (June 1987) 

David Hamilton: "From Pierrot to Marteau, March 14-16, 1987"
Reinhold Brinkmann: "What the Sources Tell Us... A Chapter of Pierrot Philology"
R. John Specht: "Schoenberg Among the Workers"
Thomas Christensen: "Schoenberg's Opus 11 No. 1: A Parody of Pitch Cells from Tristan"
David Lewin: "On the ‘Ninth-Chord in Fourth Inversion' from Verklärte Nacht"
From the Archives: R. Wayne Shoaf "The Felix Greissle Collection"
Heidi Lesemann: "Henk Guittart"
Leonard Stein: "Lawrence Morton (1904-1987)"
Contributors

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Volume X, No. 2 (November 1987)OUT OF STOCK IN THE UNITED STATES

Bryan Simms: "Who First Composed Twelve-Tone Music, Schoenberg or Hauer?"
E. Randol Schoenberg: "Arnold Schoenberg and Albert Einstein: Their Relationship and Views on Zionism"
From the Archives: R. Wayne Shoaf "Acquisitions of Early Manuscripts" Chronicle: Events at the Arnold Schoenberg Institute, January-April, 1988
Contributors
Errata

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Volume XI, No. 1 (June 1988) 

Alan P. Lessem: "Teaching Americans Music: Some Émigré Composer Viewpoints, ca. 1930-1955"
Harald Krebs: "Schoenberg's ‘Liebeslied': An Early Example of Serial Writing"
Paul Johnson: "Rhythm and Set Choice in Schoenberg's Piano Concerto"
Ethan Haimo: Schoenberg's Unknown Twelve-Tone Fragments Christopher Hailey and Juliane Brand: "Catalogue of the Correspondence between Alban Berg and Arnold Schoenberg" Contributors

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Volume XI, No. 2 (November 1988):
Schoenberg in Chautauqua, Summer 1934 

Pierre Boulez: "The Composer and Creativity"
Harald Krebs: "New Light on the Source Materials of Schoenberg's Die Glückliche Hand"
Chautauqua
Christopher Gibbs: "Schoenberg in Chautauqua"
Dorothea Kelley: "Arnold Schoenberg's Sixtieth Birthday in Chautauqua" Martin Bernstein: "On the Genesis of Schoenberg's Suite for School Orchestra"
Joan Evans: "New Light on the First Performances of Schoenberg's Opera 34 and 35"
Phillip Lehrman: "A Schoenberg Note about Prokofiev, Shostakovich, Stravinsky and Koussevitzky"
Reviews:
Walter Frisch: Streichquartette I by Arnold Schoenberg
Alan Lessem: Early Songs by Arnold Schoenberg
Leonard Stein: "Hans Heinz Stuckenschmidt"
Chronicle: Musical Events at the Arnold Schoenberg Institute, Fall 1988 to Spring 1989
Contributors

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Volume XII, No. 1 (June 1989) 

Cornelius Schnauber: "Perception and Apperception of Dissonances in Twelve-Tone Music"
Robert Fleisher: "Dualism in the Music of Arnold Schoenberg"
Dorothy Crawford: "Interview with Eugene Lehrer"
Harald Krebs: "The ‘Color Crescendo' from Die Glückliche Hand: A Comparison of Sketch and Final Version"
David H. Smyth: "Schoenberg and Dial Records: The Composer's Correspondence with Ross Russell"
Review:
Walter B. Bailey: "‘Filling in the Gaps': Jean and Jesper Christensen's From Arnold Schoenberg's Literary Legacy: A Catalog of Neglected Items"
In process...
Contributors

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Volume XII, No. 2 (November 1989)

Joseph Auner: "Schoenberg's Aesthetic Transformations and the Evolution of Form in Die glückliche Hand"
Further Berg-Schoenberg Correspondence: The Twelve Lost Berg Letters
E. Randol Schoenberg: Foreword
Juliane Brand and Christopher Hailey: "Translators' Note; Transcriptions, Translations, and Annotations"
Dorothy L. Crawford: "Peter Yates and the Performance of Schoenberg Chamber Music at ‘Evenings on the Roof'"
From the Archives: Susan L. Sloan "Archival Exhibit: Schoenberg's Dodecaphonic Devices"
George J. Skapski: "Paul Amadeus Pisk Remembered"
Chronicle: Musical Events at the Arnold Schoenberg Institute, September 1989 to April 1990
Contributors

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Volume XIII, No. 1 (June 1990) 

David Neumeyer and Giselher Schubert: "Arnold Schoenberg and Paul Hindemith"

Andrea Olmstead: "The Correspondence between Arnold Schoenberg and Roger Sessions"
Walter B. Bailey: "The Chamber-Ensemble Arrangements of the Orchestra Songs, Opus 8: Realizing Schoenberg's Instructions to His Students"
From the Archives: R. Wayne Shoaf "Discography of Schoenberg Compact-Discs: 1984-1990"
Index to Volumes I-XII (1976-1989)
Contributors

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Volume XIII, No. 2 (November 1990) 

Lovina May Knight: "Classes with Schoenberg January through June 1934"
From the Archives: R. Wayne Shoaf "The Schoenberg-Malkin Correspondence"
Report: Bryan R. Simms: "A Schoenberg Symposium in Victoria" Contributors

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V
Volume XIV, No. 1 (June 1991) 

Heidi Lesemann: "Leonard Stein: A Dedication"
Tributes to Leonard Stein
Juliane Brand: "Chronology: Arnold Schoenberg Institute Events, 1974-1992"
Index of Composers and Compositions
Index of Performers and Speakers
From the Archives: R. Wayne Shoaf: "Exhibits: Arnold Schoenberg Institute, 1977-1982"
David M. Bishop: "Schoenberg's Concerto for Piano and Orchestra, op. 42: A Reexamination of the Evolution of the Series in the Sketches" Contributors

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Volume XIV, No.2 (November 1991) 

Juliane Brand: "Of Authorship and Partnership: The Libretto of Von heute auf morgen", "A Short History of Von heute auf morgen with Letters and Documents"
Stephen Davison: "Of its Time or Out of Step? Schoenberg's Zeitoper, Von heute auf morgen"
Report: Michael L. Friedmann "A Schoenberg Conference in New York" Review
Douglass M. Green: The Berg Companion, edited by Douglas Jarman Contributors

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Volume XV, No. 1 (June 1992): Satellite Collections 

Paul Zukofsky: Letter from the Editor
From the Archives
R. Wayne Shoaf: "Satellite Collections in the Archive"
Bibliography
Jerry McBride: "Bibliography 1985-1990"
Paul Zukofsky: "Schoenberg for Performers: the Prequel"
Claudio Spies: Keynote Speech, Schoenberg Conference, New York, 5 October 1991
Rudolf Stephan: "A Response to Claudio Spies"
Claudio Spies: "A Response to Rudolf Stephan"
Contributors

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Volume XV, No. 2 (November 1992): Schoenberg's Brahms Lecture 

Thomas McGeary: "Schoenberg's Brahms Lecture of 1933"
Arnold Schoenberg, translated by Thomas McGeary (both German and English versions given): "Vortrag, zu halten in Frankfurt am Main am 12.II.1933"
Thomas McGeary:
Appendix I: Summary of Surviving Manuscripts
Appendix II: The Prinz-Eugen Lied
Appendix III: Comparison of Musical Examples
Appendix IV: Classification of Musical Examples
Bibliography: Jerry McBride "Bibliography 1991-1992"
Contributors

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Volume XVI, Nos. 1 & 2
DOUBLE ISSUE (June & November 1993): The Berg Guides

Paul Zukofsky: Letter from the Editor
Mark DeVoto: "General Remarks", "General Glossary"
Alban Berg, translated by Mark DeVoto (both German and English versions given):
"Gurrelieder Guide", Historical Note
"Chamber Symphony Guide", Glossary
"Pelleas and Melisande Guide", Glossary
?Heinrich Jalowetz and ?Alexander Zemlinsky, translated by Mark DeVoto (both German and English versions given):
"Arnold Schoenberg's F# minor Quartet: a technical analysis"
Glossary
From the Archives: R. Wayne Shoaf "Variant Printings of the Berg Guides"
Contributors
Supporters - 1993

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CONTACT BELMONT FOR AVAILABILITY AND PRICE.
Volume XVII, Nos. 1 & 2
DOUBLE ISSUE (June & November 1994): Der biblische Weg 

Paul Zukofsky: Letter from the Editor
List of Illustrations
Moshe Lazar: "Arnold Schoenberg and His Doubles: A Psychodramatic Journey to His Roots", "Notes", "Bibliography"
From the Archives: R. Wayne Shoaf "Der biblische Weg: Principal and Related Manuscript Sources"
Arnold Schoenberg, translated by Moshe Lazar (both German and English versions given):
Der biblische Weg / The Biblical Way
Appendices
Contributors
Supporters - 1994

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CONTACT BELMONT FOR AVAILABILITY AND PRICE.
Volume XVIII, Nos. 1 & 2 (June & November 1995),
Volume XIX, Nos. 1 & 2 (June & November 1996):
Preliminary Inventory of Schoenberg Correspondence
QUADRUPLE ISSUE
$20.00

Paul Zukofsky: Letter from the Editor
Paul Zukofsky: "Preamble: a Call for Enemies"
R. Wayne Shoaf: Introduction
Paul Zukofsky, R. Wayne Shoaf, Stephen Davison, Marilyn McCoy, Camille Crittenden, Jacob Vonk: "A Preliminary Inventory"
Index
Appendices
A. Schoenberg's Addresses
B. City Codes
C. Siglia
D. Bibliography
Claudio Spies: "Schoenberg's Influence on Composing in America" Addendum
Steven J. Cahn: Letter to the Editor
Contributors

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G. Schirmer, Inc.
(Op. 9B, 36, 37, 38, cello concerto for string quartet and orchestra, suite for string orchestra)
Executive Office
257 Park Ave South, 20th floor
New York, NY 10010
Fax: 212 254-2013
Phone: 212 254-2100
Email: schirmer@schirmer.com

For rental and performance information, please contact:
G. Schirmer Rental and Performance Department
Rental: Score & Parts. G. Schirmer, Inc Rental & Performance Department
445 Bellvale Road, Chester, NY 10918
845-469-4699 tel
845-469-7544 fax


Jerona Music Corp. (Op. 48)
Address: P.O. Box 671
Englewood, NJ 07631
Contact: Johanna Sturm
Telephone: (201) 568-8448
Fax: (201) 569-7023
Email: maasturm@sprynet.com
Universal Edition VIENNA

Universal Edition A.G
Administration/Promotion

Bösendorferstrasse 12
A-1010 Vienna, Austria
Tel: (43) 1 33723-0
Fax: (43) 1 33723-400
office@universaledition.com
promotion@universaledition.com

www.universaledition.com
Sales Department

Forsthausgasse 9
A-1200 Vienna, Austria
Contact: Monika Stricker
Telephone: 0043-/1/33 7 23
Fax: 0043/1 33723-430
vertrieb@universaledition.com

www.universaledition.com

Rental Department

Fax: 0043/1 33723-470
leih@universaledition.com


Universal Edition New York
Universal Edition, Inc.
254 West 31st Street, 15th Floor
New York, NY  10001-2813

Tel.
+1 212 461-6953
Fax
+1 212 810-4565
Email:  ueinc@universaledition.com

Boelke-Bomart/Mobart Music Publishers
NOW REPRESENTED BY SCHOTT / EAM (July 1, 2011)
Contacts:
RENTALS: Amy Dickinson amy.dickinson@eamdllc.com
LICENSING: Caroline Kane caroline.kane@eamdllc.com
SALES (Hal Leonard Music)  Scott Wollschleger scott.wollschleger@eamdllc.com
WEBSITE  www.eamdllc.com
==============================================================
Prior representative:
Music Associates of America
224 King Street
Englewood, NJ 07631
Contact: George Sturm
Telephone: (201) 569-2898
Fax: (201) 569-7023
Email: maasturm@sprynet.com

C.F. Peters Corp. (Op. 16, 34, 35, 47, 3 folksongs)
Rentals:

Winston Cook-Wilson, Rental Manager
winston.cook-wilson@editionpeters.com

C.F. PETERS CORPORATION
70-30 80th Street
Glendale, NY11385
Phone: (718) 416-7821
Fax: (718) 416-7823

 

C.F. Peters Corporation
70-30 80th Street
Glendale NY 11385

Tel: + (1) 718 416-7800
Fax: + (1) 718 416-7805
Email: sales.us@editionpeters.com
Web: www.edition-peters.com

Theodore Presser Company

Theodore Presser Company
588 North Gulph Road
King of Prussia, PA 19406  USA

Phone: 610-592-1222
Fax: 610-592-1229

Departmental e-mail Directory

General Inquiries: webmaster@presser.com
Licensing/Permissions Department: permissions@presser.com
Performance Promotion Department: promotion@presser.com
Rental Department: rental@presser.com
Webmaster: webmaster@presser.com
Sales/Customer Service Department: sales@presser.com

Shawnee Press Inc. Op. 23, Op. 24
Address: 49 Waring Drive
Delaware Water Gap, PA 18327-1099
Contact: Lynn Sengstack Ed Esposito
Telephone: (717) 476-0550 800-962-8584
Fax: (717) 476-5247
Email: shawneepress@noln.com
Margun/Gunmar Music, Inc. (Op. 4 Trio)
Address: 167 Dudley Road
Newton Centre, MA 02159
Contact: Ann Stimson
Telephone: (617) 332-6398
Fax: (617) 969-1079
Email: MargunMu@aol.com
Web site: www.members.aol.com/margunmus
Schott Music GmbH & Co. KG
Hire Department
Weihergarten 5
D-55116 Mainz Germany
Telephone: +49 6131 246-883
Fax: +49 6131 246-252
Email:  com.hire@schott-music.com
 

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